MPW.57 Behind the Scenes is coming Soon!
"Don't go for the easy story. Find something that challenges you, that scares you."
Lois Raimondo / MPW.57

Bob Rogers is a little different than the TV counterpart who shared his name. Most people around Marshall know him because of Jackson, a Jack Russell Terrier he pulls around town behind his scooter. The two have been near constant companions for the past two years. They started walking together but Rogers soon figured out a way to rig a cart behind the scooter.
A 23-year army veteran, Rogers sustained serious back injuries in both Germany and Vietnam. Added to these health problems Rogers suffered serious burns in 2004 when a gasoline tank exploded. Through it all Rogers has maintained a positive attitude. He now works 20 hours a week grading roads near Blackburn and spends time with his wife Ella between rides around town with Jackson.
Photographs from the 56th Missouri Photo Workshop are available available online through the Year-by-Year page, or through the MPW.56 homepage
The roots of the Missouri Photo Workshop are embedded firmly in a half-century of rich tradition; current workshops carry on principals present from the beginning.

When the late Clifton C. Edom of the Missouri School of Journalism founded the Missouri Photo Workshop in 1949, he too, looked to the past to map the path for photojournalism's future. Inspired by the gritty, content-rich photographs of the documentary photo unit of the pre-WWII Farm Security Administration, Edom promoted research, observation and timing as the methods to make strong story-telling photographs. FSA director Roy Stryker and photographer Russell Lee worked closely with Edom in the creation of the Workshop and served as faculty members during its early years.
In subsequent years, faculty members have been many of America’s leading newspaper and magazine photographers and photo editors; a roster of faculty and students reads like a Who’s Who of photojournalism. Faculty of today includes some of the most energetic, productive and articulate documentarians currently working. All are experts dedicated to passing on the fundamentals of photo research, shooting and editing to those who hope to carry on these values and techniques in the future.
The workshop still follows Cliff Edom's credo:
"Show truth with a camera. Ideally truth is a matter of personal integrity. In no circumstances will a posed or fake photograph be tolerated."
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